Dire Straits: Dire Straits
Everyone knows “Sultans of Swing.” But that's not the best track.
“Sultans of Swing,” from Dire Straits self-titled debut album dominated the airwaves during my youth, but Communiqué (released a year later) was my first Dire Straits record. My uncle Mark had the record in his collection, which we listened to frequently.
While I initially loved “Sultans of Swing,” the radio stations wore it out for me. That album ended up untouched for years as a result. But thanks to the magic of random play on my digital music library one day, I was reintroduced to what I consider to be the album’s – and Dire Straits’ – best track, “Wild West End.”
There Are Places I Remember: Songs About Places has a great piece on the track:
“[‘Wild West End’ is] quite a multi-layered song. The lazy summer mood and the sound of Mark Knopfler’s National guitar gives a feel of strolling down the main street of a small North Carolina town and the whole song mythologizes the ordinary in the manner of Bruce Springsteen… Knopfler apparently wrote the song after watching a girl cross Shaftesbury Avenue – by such trivial moments can the inspiration for a song come.”
I’ve always been a fan of Knopfler’s guitar work, and I think there’s not a better exhibit of that than this seemingly overlooked track.
(Honorable mention on this album is “Six Blade Knife.”)
Back to “Sultans of Swing”: Best Classic Bands has a piece on the hit song, which includes this behind-the-scenes story:
“There really was a band called the Sultans of Swing. They were playing their jazz in a near-empty pub in South London one night in 1977, noticed by no one — except Mark Knopfler. The guitarist and singer of a brand new band called Dire Straits, Knopfler found it amusing, in an ironic way, that this band with the fancy name was holed up in a seedy dive, doing their best to entertain and receiving a shrug for their efforts. He went home and wrote a song loosely based on what he’d witnessed — these luckless but dedicated musicians, trying as best they could to reach the few people nursing their Guinnesses — but Knopfler wasn’t especially happy with what he’d composed. Perhaps, he thought, if I play it on my new Stratocaster instead of an acoustic steel guitar, it might have more life to it.”
Check out “Wild West End”:
I took a very roundabout way to becoming a fan of Knopfler. As a kid, the only thing I knew about Dire Straits was that I was really sick of watching them play their guitar on the MTV. I didn’t know anything about their history, their music, oh, and I didn’t know that Sting sang on that tune, but MTV way overplayed that damn thing! Anyway, fast forward through a life without Dire Straits.
I fell in love with Emmylou Harris when I heard Cowgirl’s Prayer in ’93-93ish, and I have followed her career since. In 2006, Emmylou released All The Roadrunning. Five seconds into the first tune there is some soft guitar noodling entering the mix and there was no doubt who was playing it. Here is a man who’s guitar work is so stylized and personal that I recognized it instantly (and before the vocals came in), even though my only reference was a twenty year old song that I didn’t like. I have so much respect for any musician who can create their own sound amongst the sea of musicians because it is a rare and beautiful thing. As I listened, I was like, “holy shit, this guys is amazing”, and, “how did I not get this before?”. Then I dove into their catalogue.
Hey Aaron! It is so cool that you mentioned “All The Roadrunning”. That’s another all-time favorite of mine (and on the list to cover here). Sadly, it was released during dark days of CD-only releases, so no vinyl for me. I’ve seen some people selling vinyl copies on Discogs ranging $200-300… So I keep looking.
I’m not surprised you avoided Dire Straits during the “Brothers in Arms” era. That album won’t be covered here 😉
Side note: my dad went to high school with Emmylou Harris!